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Teaching might even be the greatest of the arts since the medium is the human mind and spirit. John Steinbeck
These are key principles in my approach to teaching:
Integration of Art, Science, and Technology: I teach Integrated Media Art through computer science and creativity, making technical subjects more accessible and engaging for a diverse audience.
Open Source and Community Contribution: Open-source work is crucial in my teaching and educational material development. I believe in community contributions and making resources freely available to foster an inclusive learning environment.
Institutional Support and Sustainability: I stress the importance of institutional support for sustaining open-source projects and educational initiatives, advocating for recognition and backing from institutions to ensure their longevity.
Accessibility and Inclusivity: Ensuring educational opportunities are accessible to everyone is a major focus. I advocate for environments where people with different needs, such as childcare or varying abilities, can also participate in learning and contributing to the community.
Practical and Engaging Learning: I value learning through doing and the importance of seeing the problem-solving process in action. My live-streamed coding sessions help demystify coding and build confidence by showing that even experts encounter challenges.
Balance Between Instruction and Exploration: Structured lessons are important, but I also believe in exploring and figuring things out live. This makes learning more dynamic and relatable.
Motivation and Engagement: My passion for helping students learn is driven by my background in creative arts, blending educational instruction with theatrical performance. I enjoy performing and receiving feedback, which motivates me to teach.
Handling Anxiety and Classroom Dynamics: Despite years of experience, I still feel nervous before classes, especially with new students. I find live broadcasts less nerve-wracking due to the control they offer. The pressure of meeting academic expectations can contribute to my anxiety.
Beginner-Friendly Teaching: I prefer teaching beginners, fostering a supportive environment where students feel comfortable. I encourage students to talk through their challenges to find solutions without overcomplicating problems.
Supportive Environment: Creating a supportive and friendly atmosphere is crucial. I focus on being approachable and encouraging, ensuring students feel comfortable asking questions without embarrassment.
Balance in Instruction: In mixed-skill classes, I balance detailed walkthroughs of code for beginners with high-level conceptual discussions for advanced students. I value workshop-style teaching, promoting active learning and collaboration.
Patience and Pacing: I advise new teachers to go slower than they think necessary and to assume less about students' prior knowledge. It's better to cover fewer topics thoroughly than to rush through material, which can create confusion.
Teaching as an Art Practice: I see teaching as part of my artistic and research practice, enjoying the process of helping others create. I prioritize developing creative coding tools and educational materials over producing my own projects.
Challenges and Ethics in Education: I address the ethical considerations of high tuition costs and the impact of student debt on creativity and career choices. I advocate for more inclusive and accessible education models and emphasize the need for pathways to learning computing that are open to diverse audiences.
Community and Collaboration: I value the sense of community in educational settings and the importance of interpersonal interactions in fostering learning. I'm interested in expanding the dialogue between higher education and middle or high school educators to enhance the accessibility and impact of creative coding education.
Overall, my teaching philosophy blends creativity, community-driven resources, institutional collaboration, and a focus on making learning inclusive and engaging for all.
The book Why Art Cannot Be Taught by James Elkins, my Art History professor at SAIC, argues that while art schools can provide technical skills, inspiration, and career advice, the essence of art itself is beyond teaching. Elkins contends that teaching art is inherently flawed because neither teachers nor students can identify the critical moments of learning, as these often occur unpredictably and outside formal instruction. Despite structured educational environments, the most profound aspects of an artist's development stem from personal, often serendipitous experiences that traditional pedagogy cannot capture. While the specific conclusions of the book are not detailed in the excerpt, they likely summarize these key points, reinforcing that although certain aspects of art education can be taught, the true essence of art remains elusive, challenging educators and students to reconsider the limits of what can be imparted in an academic setting.
Teach Like a PIRATE: Increase Student Engagement, Boost Your Creativity, and Transform Your Life as an Educator by Dave Burgess is a practical and motivational guide for educators looking to reignite their passion for teaching and create engaging, transformative classroom experiences. Centered around the PIRATE framework (Passion, Immersion, Rapport, Ask and Analyze, Transformation, and Enthusiasm) the book provides actionable strategies for designing lessons that captivate students and inspire curiosity. Burgess emphasizes the importance of storytelling, creative lesson planning, and building meaningful relationships with students to foster a connected and dynamic learning environment. For example, he suggests using props, dramatic scenarios, or thematic activities to make lessons memorable, like turning a history class into an immersive treasure hunt. He challenges educators to adopt a "pirate mindset," encouraging boldness and risk-taking in teaching methods to combat burnout and make learning joyful for both teachers and students. This book is essential for any educator seeking to transform their teaching approach and spark enthusiasm in their classrooms.
Digital Humanities Pedagogy: Practices, Principles and Politics, edited by Brett D. Hirsch, is a comprehensive collection exploring how digital tools and technologies can transform humanities education, with significant relevance to new media art pedagogy. The book addresses the integration of platforms like digital archives, visualization tools, and programming into teaching, emphasizing their potential to enrich student engagement and interdisciplinary learning. It critically examines the ethical and political implications of using these technologies, encouraging educators to reflect on how digital tools shape knowledge representation and the learning experience. Through practical case studies, such as designing courses that use 3D modeling to teach historical architecture or employing text analysis software in literature classes, the book provides actionable strategies for course development and collaborative projects. Essential for educators and researchers, this resource offers insights into the evolving role of technology in academic contexts, advocating for innovative approaches that merge technical skills with humanistic inquiry to foster critical and creative thinking in the digital age.