Rooted in phenomenology, post-humanism, and cybernetics, the work examines how human perception is mediated by technology. Influenced by Maurice Merleau-Ponty’s concept of embodiment, the installation transforms perception into a participatory act, where the viewer’s position and movement alter their experience of space. The interplay of organic, wave-like forms with mechanical precision reflects post-humanist ideas of hybridity, while the recursive patterns and soft soundscape evoke the cyclical and interconnected nature of time.

Hypnotic State offers a sensory journey through light, motion, and sound, challenging viewers to reflect on how technology reshapes their experience of reality and their understanding of space, time, and self. It is a space for contemplation, where the merging of visual and auditory elements invites a deeper connection to the transformative power of perception.